Wednesday, July 24, 2013

Poll: Who Should Perform at the Super Bowl XLVIII Halftime Show?


Vote now!

With the dust now settled on Beyonce's exuberant halftime extravaganza, it's time to start thinking of the possible artists who will take the biggest stage in the world next February, when the Super Bowl invades the Meadowlands in East Rutherford, N.J.
With Beyonce and Madonna headlining the past two halftime shows, the Super Bowl could go with another solo female artist to take the reins in 2014. Will Taylor Swift or Lady Gaga make their Super Bowl debuts? Or, if hip-hop becomes the genre of choice in a Super Bowl near New York, how about Brooklyn's finest, Jay-Z? Maybe rock make its comeback with the help of a contemporary act like the Foo Fighters or Coldplay? We have months to speculate, and speculate we shall!
Billboard offers up 10 suggestions for next year's Super Bowl halftime spectacle. Vote for your favorite candidate at the bottom of the page, or make your case for an unnamed artist in the comments section below.


Robin Thicke: Longest Hot 100 Reign This Year


'Blurred Lines,' featuring T.I. and Pharrell, leads the list for a seventh week, the most time spent atop the list this year. Plus, Bruno Mars enters the top five

Robin Thicke notches a seventh week at No. 1 on the Billboard Hot 100 with "Blurred Lines" (featuring T.I. and Pharrell), establishing the longest command for a Hot 100 topper this year. Meanwhile, Bruno Mars tallies his 10th top five hit as "Treasure" climbs 7-5.
As "Lines" spends a seventh week at No. 1 on the Hot 100, the song passes Macklemore & Ryan Lewis' "Thrift Shop" (featuring Wanz) for the longest run atop the chart this year. "Shop" led for six nonconsecutive weeks in February-April (wrapped around Baauer's five-week domination with "Harlem Shake"). Maroon 5 boasts the last longer command on the Hot 100 with "One More Night," which spent nine weeks at No. 1 in September-November last year. Among solo males, Gotye last spent more time at the summit than Thicke, having ruled for eight frames with "Somebody That I Used to Know" (featuring Kimbra) in April-June 2012. ("Somebody" eventually became the top Hot 100 song of 2012.)
"Lines" additionally sets one impressive airplay record, while approaching another. The song claims the Hot 100's top Airplay Gainer award for an unprecedented eighth week (all consecutively). Seven songs had previously racked seven weeks (consecutive or not) claiming the honor dating to the prize's 1985 origin: Bruno Mars' "When I Was Your Man" (2013); Rihanna's "What's My Name? (featuring Drake) (2010-11) and "Rude Boy" (2010); T-Pain's "Buy U a Drank (Shawty Snappin')" (featuring Yung Joc) (2007); Beyonce's "Irreplaceable" (2006-07) and "Baby Boy" (featuring Sean Paul) (2003); and Mariah Carey's "We Belong Together" (2005-06).
"Lines" leads Radio Songs for a third week, gaining by 10% to 197.7 million all-format audience impressions, according to Nielsen BDS. Dating to the chart's December 1990 launch, the song has now drawn the second-highest weekly audience (setting up a race to watch next week):
  1. 212.2 million, "We Belong Together," Mariah Carey (July 9, 2005)
  2. 197.7 million, "Blurred Lines," Robin Thicke (featuring T.I. + Pharrell) (Aug. 3, 2013)
  3. 196.3 million, "Irreplaceable," Beyonce (Jan. 20, 2007)
  4. 192.4 million, "No One," Alicia Keys (Dec. 22, 2007)
  5. 189.6 million, "Let Me Love You," Mario (Feb. 5, 2005)
"Lines" tops the Digital Songs chart for an eighth week, selling 340,000 downloads (down 11%) in the Nielsen SoundScan tracking week. It spends a third week atop the subscription services-based On-Demand Songs chart (2.6 million U.S. streams, up less than 1%, according to BDS) and holds at No. 2 on Streaming Songs (6.9 million, up 4%). It collects a seventh week at No. 1 on Hot R&B/Hip-Hop Songs and a 10th week atop R&B Songs.
"Lines" maintains its lead on the Hot 100 despite a 2% loss in overall chart points. Meanwhile, a new runner-up moves up below it: Miley Cyrus' "We Can't Stop," which rises 3-2 with a 15% points gain. "Stop" nabs a fifth week atop Streaming Songs (10.1 million, up 37%, good for top Streaming Gainer honors on the Hot 100); a fourth week at its No. 2 peak on Digital Songs (208,000, down 3%); and lifts 37-34 on Radio Songs (37 million, up 14%).
With the climb (to reference another of her hits …) of "Stop," Cyrus equals her best Hot 100 rank. Her "Party in the U.S.A." spent three weeks peaking at No. 2 in 2009.
Imagine Dragons' "Radioactive" returns to its No. 3 Hot 100 highpoint, while topping Hot Rock Songs for an 18th week. It pushes 4-3 on Radio Songs (120 million, up 7%); dips 4-5 on Streaming Songs, although with a less than 1% gain to 4.7 million streams, a new weekly high; and rises 4-3 on Digital Songs (173,000, down 4%). Notably, the still smoldering song revisits its Hot 100 peak in its 47th week on the chart. That's as long as the band's debut hit "It's Time" spent on the Hot 100 between last June and this May; it peaked at No. 15.
Daft Punk's "Get Lucky" (featuring Pharrell) slips 2-4 on the Hot 100 after peaking at No. 2 for five weeks. Still, "Lucky" bullets for a second week at No. 2 on Radio Songs (142 million, up 2%). It leads Dance/Electronic Songs for a record-extending 10th week.
Bruno Mars tallies his 10th top five Hot 100 hit, as "Treasure" ascends 7-5, gaining by 6% to 88 million in audience as it bullets for a second week at No. 6 on Radio Songs. Dating to Mars' first week in the Hot 100's top five (March 27, 2010), as a featured vocalist on B.o.B's "Nothin' on You," he's now tied Rihanna for the most top five entries in that span.
Macklemore & Lewis' "Can't Hold Us" (featuring Ray Dalton) drops 5-6 on the Hot 100 after spending five weeks at No. 1. It rules Rap Songs for a 14th week.
Florida Georgia Line's "Cruise" (featuring Nelly) retreats 6-7 on the Hot 100, although it tops Hot Country Songs for an incredible 21st week, tying the record for the longest stay at No. 1 since the chart launched in 1944. Check out all the details on the song's continued coronation here.
Jay Z's "Holy Grail," featuring Justin Timberlake, holds at No. 8 on the Hot 100 following its debut at that rank last week. The track slides 3-4 on Digital Songs (166,000, down 15%) but builds 16-8 on Streaming Songs  (3.4 million, up 63%) on Streaming Songs and 47-40 on Radio Songs (31 million, up 19%).
Rounding out the Hot 100's top 10, Anna Kendrick's "Cups (Pitch Perfect's When I'm Gone)" elevates 10-9, powered by climbs of 8-7 on Digital Songs (122,000, up 1%) and 16-12 on Radio Songs (66 million, up 15%); and Timberlake's No. 2-peaking "Mirrors" falls 9-10.
Check Billboard.com tomorrow (July 25), when all rankings, including the Hot 100 in its entirety and Digital Songs, Radio Songs, Streaming Songs and On-Demand Songs will be refreshed, as they are each Thursday.

Press Tour: Rob Lowe, Ginnifer Goodwin talk accents, conspiracies, 'Killing Kennedy'


"Killing Kennedy," based on the book by Bill O'Reilly, is set to premiere in November to coincide with the 50th anniversary of the assassination of Kennedy. It's an important anniversary, of course, and one that seemed to be front of mind for the talent appearing to promote the move at the 2013 TCAs. Rob Lowe (President Kennedy), Ginnifer Goodwin (Jacqueline Kennedy), Will Rothhaar (Lee Harvey Oswald), Michelle Trachtenberg (Marina Oswald), Jack Noseworthy (Bobby Kennedy) and director Nelson McCormick and writer Kelly Masterson talked mastering iconic characters, Bill O'Reilly and "weird, bizarre details."


When asked about the significance of the project, Lowe explained, "We don't have a royal family here, so the Kennedys are like our royal family. Shakespeare made  a career writing about the royals… so it's like playing a character from Shakespeare. A lot of people have played JFK and a lot will play JFK in the future, and he's just one of our great American icons. You just try to figure out what you individually can bring. To me, it was a lot about figuring out who he was as a man, as a father, a brother, a son, a husband, as a complicated and flawed guy."



Goodwin [who appeared via satellite from Vancouver] explained how she created her iconic character. "It was only a couple of days before we began, I realized I wanted the story to be based on how she talked about herself, and that took all of the pressure off. It was all about these private moments. No one knows what happened, all we have is what she said after the fact. I wanted to humanize these people, and I don't feel they've been fully humanized in the past."



Asked about whether kids today understand how the assassination changed American life, Lowe said, "I have a college freshman, so I know that generation. I think for those of us who lived through it, or I was born that year,  [but] it was such a psychic trauma to us, I don't think anybody can have the experience we had with this loss. I was drawn to introduce these generations to what happened… this visceral ownership of this moment has not been passed on. This will be the 50th anniversary, and I could not be prouder to be with these people to introduce them [to this] story."



"I hope young people will watch this and understand what this meant to people," screenwriter Masterson added, noting that given the amount of conflicting information about the assassination, "i It was an enormous challenge. I had to be very focused. I started with the book. I started with the facts as I know them… I can't tell all of those stories, this is the story I can tell. I used the Warren Commission report , and let people make up their minds with the other things."



While the panel was mostly serious, there was some room for joking around. When asked about how Lowe created the character,  Trachtenberg joked, "He's asked everyone to refer to him as Mr. President."



"It's in my rider," Lowe shot back. But seriously, he's a big JFK fan. "I have always been interested in Camelot, the romanticized version and [there's] the West Wing nerd part of myself. He was an optimist, he said we'll put a man on the moon in ten years, I can't think of any other president who'd say that and then deliver on the promise."



But even being a fan didn't make it easy for Lowe. "Whoever scheduled this movie I'm going to have them assassinated, because the first scene [was the one in which the Kennedys] share the loss of [their] son. The Kennedys are and continue to be about family, so that did resonate with me for sure." 



Trachtenberg didn't have Lowe's depth of knowledge about her character, to say the least. "I actually didn't know anything… I was unfamiliar [Lee Harvey Oswald] had a Russian wife. I did massively fall in love with her. Who would want to play the wife of the man who tarnished America's future? What I discovered she was, is, a victim. She's still alive and her daughters are 50 and 52. I wanted to bring the innocence of a woman in love, a woman confused. I found it so interesting that Lee and JFK's funeral were the same days. She watched the funeral right until she had to go to her husband's. She had a crush on JFK, and that was an interesting story to play."



To complicate matters, "I speak about 80 percent Russian in the film. Marina barely spoke any Engish, her first words were hot and cold," Trachtenberg added.



When asked if any of the panel's personal politics made it difficult to work on a project based on a book by a right wing commentator, Lowe shrugged. "I didn't really think about it at all, because the book had been so successful. Any time you can do material that has already proven to be of value to people, that's helpful. And the book is nothing if not very straightforward about the facts of this story."



"I have a different political position than Bill O'Reilly. But I found I had a lot in common with him; we're both Irish Catholic and have a devotion to JFK. I enjoyed my collaboration for that reason," Masterson said.



Creating one of the 20th century's most loathed villains was a job Rothhaar was eager to take on. "Oswald has always been seen as a two dimensional villain. I wanted to make hum human, not that you feel compassion for him, but you'll be able to say I've been there… I wanted to make him relatable in some way. I found myself feeling for the man, which you don't hear a lot of people say about Lee Harvey Oswald."



Of course, it was only a matter of time before someone brought up the famed JFK accent. "Every president today talks like him. They're like bad actors who found the greatest that ever was and initiated him. He was the man. He was the first telegenic president and it's become nothing but that now." Did his research for the role unearth any strange discoveries? The weirdest, smallest bizarre details, like why he didn't have a more happening, 'Mad Men' pocket square," Lowe said. "You're the president, have somebody make you look tight! He used reading glasses always, never liked being photographed in them because he thought they made him look old, and he kept them in his pocket… and it jammed the pocket square down. "



As to whether or not he bought into the conspiracies surrounding the assassination, Lowe said that, though he was born afterward, he feels that it had a huge impact on his life. "Newborns feel [tension] in a household, and I think growing up in a country dealing with his death, all of that affected me. I've been following the assassination since I was in the first or second grade. I've read all the conspiracy books. And at first I thought there's no way one guy could do it. But I think Vince Bugliosi's book ["Reclaiming History: The Killing of John F. Kennedy"] got it right. We all like to believe there's some big uber thing out there. That 9-11… you'd think we'd have things in place for this. I think it scares us that it's that simple.. we'd like to think there's a safety net, and most times there isn't it. 


Penelope Cruz, Javier Bardem welcome baby girl in Madrid:


Oscar-winning acting couple Penelope Cruz and Javier Bardem welcomed their second child, a daughter, in Spain on Monday.

While the world made a royal fuss about the birth of Prince William and Kate Middleton's new baby, Hollywood royalty Penelope Cruz and Javier Bardem quietly welcomed their child on Monday as well.
Cruz, 39, gave birth to the couple's second child - a daughter - on July 22 in Madrid, the actress's rep confirmed to Spanish-language magazine Hola.
PHOTOS: CELEBRITY BABY BUMPS

The very pregnant actress was admitted to the Ruber International hospital in Madrid on 

Monday evening, according to Hello magazine.

The very pregnant actress was admitted to the Ruber International hospital in Madrid on 

Monday evening, according to Hello magazine, with husband Bardem, 44, by her side. She was 

reportedly due in June.
On Saturday, the fiercely private couple were spotted enjoying the Los Veranos de la Villa 

Music Festival in Madrid.

RELATED: PENELOPE CRUZ PREGNANT WITH SECOND CHILD



























Vicky Cristina Barcelona’ stars Penelope Cruz and Javier Bardem already have a 2-year-old 

son named Leo.

The Oscar-winning duo already has a 2-year-old son named Leo, who was born in Los Angeles 

in 2011.
In a past Vogue interview, the "Vicky Cristina Barcelona" star vowed to keep her children 

out of the spotlight.
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"I want my son and my kids - if I have more - to grow up in a way that is as anonymous as 

possible," she said.

Chris Brown pleads not guilty to hit-and-run

Charges were dropped against the singer in relation to a traffic accident.



Brown had been accused of driving away from the scene of a rear-ending.

Singer Chris Brown’s lawyer has entered a not-guilty plea for him to a hit-and-run charge that led to his probation being revoked.
A spokesman for the Los Angeles city attorney’s office says charges of driving without a license and driving without proof of insurance were dismissed Tuesday after Brown’s attorney presented proof he was licensed in Virginia.


Mark Geragos attorney for singer Chris Brown speaks outside the Van Nuys Court regarding an alleged hit and run incident.

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Brown was charged after a May 12 traffic accident in which he is suspected of rear-ending a 

car stopped at a red light and refusing to give the other driver his license or insurance 

information.
The singer has been on felony probation in the 2009 beating of former girlfriend Rihanna. A 

judge revoked his probation last week and ordered a hearing. His trial in the hit-and-run 

case is set for Aug. 15.

JK Rowling tells story of alter ego Robert Galbraith

Harry Potter author explains how she gave her crime-writing alter ego Robert Galbraith his name, and why she went undercover for projected series of novels


 JK Rowling chose her alter ego of Robert Galbraith by conflating the name of her political hero Robert F Kennedy and her childhood fantasy name "Ella Galbraith", the Harry Potter writer has explained on her alternative persona's official author website.
The author, who was outed last week as the writer of detective novel The Cuckoo's Calling, also confirmed that she has "just finished the sequel" – the first of a projected series featuring sleuth Cormoran Strike – which is to be published in 2014.
Amid the FAQs on the official Robert Galbraith author website, Rowling declared "I successfully channelled my inner bloke!" when editor David Shelley, who first read the novel without knowing who its true author was, said, "I never would have thought a woman wrote that."
The Cuckoo's Calling, shot to No 1 in the hardback fiction charts last week, selling 17,662 copies after Rowling was revealed to be its author, charting above Dan Brown's Inferno at number two, and Second Honeymoon by James Patterson at number three. In the overall UK book charts, it reached third place, behind paperbacks of John Grisham's The Racketeer at No 1, and Rowling's previous adult novel The Casual Vacancy, which also climbed rapidly following the news, at number two.
Writing on the Galbraith website, Rowling reaffirmed the line that the pseudonymous story "was not a leak or marketing ploy by me, my publisher or agent, both of whom have been completely supportive of my desire to fly under the radar. If sales were what mattered to me most, I would have written under my own name from the start, and with the greatest fanfare."
The decision to choose a male pseudonym was driven by a desire to "take my writing persona as far away as possible from me", Rowling said. By choosing as her hero a military man working in national security – taking a lead from former SAS solider and bestselling author Andy McNab – she created an "excuse not to make personal appearances or to provide a photograph".
"When I was a child, I really wanted to be called Ella Galbraith, I've no idea why. The name had a fascination for me. I actually considered calling myself LA Galbraith for the Strike series, but for fairly obvious reasons decided that initials were a bad idea," Rowling said.
"I know a number of soldiers and I'm close to two people in particular who were incredibly generous as I researched my hero's background," Rowling wrote. Her military contacts also helped to construct a fake CV for Robert Galbraith. "One of these friends is from the Special Investigations Bureau. So while Strike himself is entirely fictional, his career and the experiences he's had are based on factual accounts of real soldiers."
Rowling also reveals that lead character's first name "was a gift from his flaky groupie of a mother, is unusual and a recurring irritation to him as people normally get it wrong; we sense that he would much rather be called Bob."
The character of Strike's assistant, Robin, a temporary secretary, grew "largely out of my own experiences as a temp, long ago in London where I could always make rent between jobs because I could type 100 words a minute due to writing fiction in my spare time."
The book's title is taken from A Dirge, the mournful poem by Christina Rossetti which is a lament for one who died too young.
Rowling was "yearning to go back to the beginning of a writing career in this new genre, to work without hype or expectation and to receive totally unvarnished feedback. It was a fantastic experience and I only wish it could have gone on a little longer," she said. Most of the Harry Potter books are "whodunits at heart", she added, saying that she "loves detective fiction".
Its London setting was chosen above Scotland, where Rowling lives, because "you could write about London all your life and not exhaust the plots, settings or history," she said.
Rowling's identity as the author of The Cuckoo's Calling was leaked last week by a friend of one of her lawyers. At that point, the book had sold 8,500 English-language copies across all formats (hardback, eBook, library and audiobook), and received two offers from television production companies.
"The situation was becoming increasingly complicated," Rowling admitted, "largely because Robert was doing rather better than we had expected … but we all still hoped to keep the secret a little longer. Robert's success during his first three months as a published writer (discounting sales made after I was found out) actually compares favourably with JK Rowling's success over the equivalent period of her career."

Steven Soderbergh donates $10,000 to Spike Lee's Kickstarter campaign

The 'Behind the Candelabra' director pledged a hefty chunk of cash to help Lee's new project get off the ground.



Spike Lee's Kickstarter campaign only launched on Monday, and he already has a celebrity 

donor.
The "Red Hook Summer" director revealed that fellow Hollywood filmmaker Steven Soderbergh 

pledged $10,000 to the campaign, the maximum donation amount available.
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That means that Soderbergh has earned dinner with Lee and a courtside seat at a Knicks 

game.
"I'm taking him to dinner and we're going to the game together," Lee told NextMovie. "I 

don't even know if he likes sports! So I'm gonna pick the game for him. But I'm giving a 

huge shout-out to my man Steven Soderberergh for the support and I'm really humbled with 

Steven coming on board and doing that."
RELATED: SO MUCH FOR STEVEN SODERBERGH'S RETIREMENT!
Lee is seeking $1,250,000 to fund a mysterious new film project, which he describes as 

"funny, sexy, and bloody (and it's not 'Blacula')."
"I have a different vision of what cinema can be, a different vision of what some under-

served audiences might want to see," Lee wrote. "That is why I am here on Kickstarter, to 

raise the funds for the new Spike Lee joint, to get this bad boy financed."
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"I promise on my mother's grave and right hand to the almighty-ever red cent, every wooden 

nickel, every dollar will go up on the screen and not into my pocket," the director 

continued.
As of publication, Lee had raised $107,434, with another 28 days to go to reach his goal.


'The Wolverine': Movie Review

Hugh Jackman has the role of the mutant superhero down pat, but the rest of the film is the same old slice and dice




Logan's (Hugh Jackman) adamantium claws are more than a match for ninja steel.

  • Title: 'The Wolverine'
  • Film Info: With Hugh Jackman The clawed mutant hero fights an evil dynasty in Japan. Director: James Mangold (2:09). PG-13: Extreme comic-book violence. At area theaters, in 3-D where available. Opens Thursday night.
In a summer of seemingly ageless superheroes, Wolverine stands alone.
Unlike Superman, the Lone Ranger, Capt. Kirk and Mr. Spock, this eternally young mutant has  been played by only one actor, Hugh Jackman. Good thing the Aussie star has the role down to a science, since the rest of  “The Wolverine” is a howler.
Jackman rolled out Wolverine in 2000’s “X-Men.” In 2009, “X-Men Origins: Wolverine” was all backstory, forcing this new flick to follow-up 2006’s “X-Men: The Last Stand.” (You need to have mutant powers to keep it all straight.)

Rila Fukushima as Yukio in "The Wolverine."

A prelude shows the stogie-chomping, bone-clawed mutant known as Logan helping a Japanese soldier survive the atomic blast at Nagasaki. Then we flash-forward to the present day, with Logan living in the Yukon to escape his memories of having killed his true love, Jean Grey (Famke Janssen, who cameos here as a ghostly vision from beyond).
Then a mysterious woman, Yukio (Rila Fukushima), finds him to say the now-aged soldier he saved in 1945 is on his deathbed and wants to see him. Once there, Logan gets embroiled in a melodrama involving the yakuza, the snake-like mutant Viper (Svetlana Khodchenkova), the old soldier’s family and a plan to steal Logan’s fast-healing power.
Jackman, like Sean Connery after six turns as James Bond, wears Logan like a second skin — his scowl alone says a thousand words. Logan is both the ultimate X-Man and the audience’s stand-in, and Jackman never loses sight of either side of his signature role. It’s put to best use in a scene where he has to extract a weapon from his own heart.


































The claws come out more than once for Logan (Hugh Jackman) in "The Wolverine."

Unfortunately, the rest of the film becomes standard slice-and-dice, all the way to the ridiculous ending involving a baddie in adamantium armor. Director James Mangold (“Heavy,” “Walk the Line”) deals with human-scale emotions, and as much as he and the screenwriters try, there’s a constant battle between Jackman’s wounded, mutton-chopped masculinity and the requisite silliness of a superhero flick. They never gel.
There’s the usual villain problem (too many of them — and none of them memorable) and a tone that may take parents of young Wolverine fans by surprise: In the first 10 minutes alone, a nuke goes off, Jean is gored by Logan in a dream and someone gets an arrow through the hand. This is comic-book stuff for adults, not kids.
Wolverine himself remains a haunted figure — lonely as a werewolf, deadly as Clint Eastwood’s Man With No Name — but there’s only so much sympathy we can give him. He thinks he’s out, and people obsessed with mutants pull him back in. Then he snarls, they’re gored and we’re bored.